Greentea Design - Japanese Furniture, Asian Furniture, and Asian-inspired Kitchen Cabinets.
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A showcase of suites with fabulous home decor

These Asian-inspired model suites show a selection of our modern and antique solid wood furniture in contemporary settings.

Wander through each room and let us know if you have any questions.

Welcome to Greentea Design!

Know the type of piece you want?
Browse by category to see entire collection of Asian-inspired solid wood furniture.

Remodeling a room?
Browse by room to view all our designs – both antique and modern furniture – sorted by room.

In the area?
Visit us at our Toronto showroom. We look forward to meeting you!

History of Japanese decor

Traditional Japanese architecture emphasizes economy of design and a great sensitivity to the natural environment. This design is characterized by the use of elements such as wood, (structural beams and furniture) straw (tatami mats) and paper (covering the shoji screens).

Houses built in this style shunned the decorative, the obvious and the extravagantly showy in favor of restraint or what contemporary designers would refer to as minimalism. For many people it is the emptiness that strikes the eye - the houses seem to have been pared back to the essential elements and made purely functional.The idea of Asian decor almost seems to be an oxymoron.

The second thing that becomes apparent is the impermanent state of the house. Interior walls slide to double a room's size, beds are pulled from cupboards, and external walls even open in summer to bring the garden inside. Furniture is constructed in pieces and stacked with handles on the sides for easy movement.

Of all the elements, the most precious and revered was wood. Carpenters were the most respected of artisans and the classic timber framework they used for house building and the traditional joinery used in constructing furniture pieces was legendary.

Elements of Asian Décor: From Metals to Petals

For many of us, the simple bold strokes of black ink on a white page, or a single bonsai branch evoke an eastern feeling. A few polished pebbles lying in a bowl or a single flower can fill a room with more beauty than fifty glass figurines. It is this essentialism which marks the understated elegance of Japanese interior design.

However, the materialistic dogma of western society instills within many of us the urge to display every single last one of our possessions in our home. The result is a cluttered yet cozy space. In contrast, eastern design, more specifically Japanese, seeks to obtain a minimalist feel; using neutral colors and geometric forms. Strong simple lines and open spaces help contribute to the organic feel of Japanese design. Whereas many western homes are full of elaborate furniture and exotic art objects, eastern homes rotate a few well placed objects, imparting a sense of beauty and a well ordered home. There is often a central focal point in Japanese rooms rather than the many focal points that are present in western rooms. The Japanese equivalent of the mantles of western homes is the tokonoma, a type of alcove where either an even number (symbolizing order) or an odd number (representing nature) of objects are displayed. Each week these objects are replaced by different ones.

Japanese furniture is minimal and serves many purposes, for example step chests serve as both room dividers, useful storage components and of course traditionally steps up to a loft space (while a wonderful use for a step chest, these days having only a solid wood cabinet to access an upper floor is completely against fire regulations). Shoji screens or furniture often divide a room, and there is always at least one window facing nature or the sky to provide a sense of space that is often missing. Storage is very important when planning Japanese interiors, very few objects are on display to maximize impact, and other objects must be stored unobtrusively.

In contrast to the simple colors and forms, opposing textures and materials are used to create a unique balance. Stone and natural materials such as bamboo, rice paper and silk set Japanese design apart from the often all-encompassing man made materials that fill the rooms of contemporary western design. The stark glass and metal constructions or brightly eclectic rooms contrast greatly with the uncluttered and open spaces that characterize eastern homes.

Asymmetry is another important aspect of Japanese design. Representative of nature in its primary form, it provides the unique balance and feeling of space so characteristic of Japanese homes. Ikebana, the Japanese art of flower arrangement, embodies this aspect. An Ikebana arrangement would typically be placed in the tokonoma, with one or three flowers of different heights. Just as the beauty of a lone branch highlighted against the sky incorporates the space surrounding it, asymmetry within the home accentuates the feeling of space and peace.

The reason that this unique style arose is due to Japan having quite limited natural resources. Wood was the only abundant source of building material throughout much of Japan's history. However, the use of fires to cook with, combined with being in an earthquake prone area, meant that these structures, and the items stored within were highly susceptible to burning down. Modern-day Tokyo (originally called Edo) was victim to some incredibly devastating fires, regardless of the best efforts of what was quite a devoted fire fighting service.

These problems with buildings burning down, combined with the influx of Buddhism, lead to the essential concept of wabi sabi. In this aesthetic the beauty of the incomplete, the impermanent and the imperfect is the focus. Everything is only fleeting, and to think otherwise would be to delude oneself. The term wabi sabi is not easily translated, but eludes to loneliness, whithering and cold. To this day the Japanese have much less of an attachment to physical buildings as apposed to the idea they embody. Many temples and other historic buildings were destroyed over the past centuries by earthquakes, war and unrest; however, this has left the Japanese largely unphased, and they have kept alive traditional building methods so they can bring back treasured landmarks again and again.

Greentea Design - Your online source for contemporary Japanese furniture, Asian furniture, and antique Oriental furniture.
We ship to Los Angeles and New York Tri-state area on a weekly basis
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Adapting a beautiful antique for a modern purpose can provide a focal point around which to design a room. Many of our antiques have a rustic quality and have been used for decades. Whatever you do with your piece will only add to the patina and increase the "antique look". This follows the Japanese concept of Wabi Sabi - in which an old piece with a rich history of use and wear gets a new life with a different purpose. Pieces with a story make wonderful conversations and add depth to your decor.

One of the most popular trends is the conversion of antique buffets into vanities. There are many elegant bowl sinks available on the market and this is an easy and incredibly effective way to turn a dull bathroom into a stunning "powder room".

Other adaptions have included:

  • Korean Blanket Chests transformed into bars
  • Chinese Sideboards turned into TV Consoles
  • A Japanese Tansu retro-fitted to become an elegant wardrobe

Have an Adaptation in mind?
Call us at 1 888 222 0195 and one of our designers will help you find your perfect match and walk you through the adaptation possibilities.


Interior designers often use antiques as "defining pieces". Simply put, the piece brings up the tone of everything else around it. Money invested in a quality antique is well spent as it adds value to the entire decor.

More importantly, antiques reflect a person's experiences and personality. Customers who have traveled to Asia often want to incorporate part of what they've experienced into their interiors. A new aesthetic has been revealed and the great memories can stay fresh. Antiques, just like their owners, have stories to tell.

Antiques can be used in may ways. They can be matched with similar organic pieces or contrasted with modern interiors (as you can see in many of our online suites) as a natural counterpoint to an industrial design. Antiques need not be themed. African masks are at home with Asian cabinets and European lighting. The "esoteric design style" is a much more natural way to shape your space. Found pieces that are gradually added, easily fall into place with other present elements. The possibilities are endless and your decor will always remain fresh and interesting.

Looking for your defining piece?
Call us at 1 888 222 0195 and one of our designers will help you find your perfect match.



Oriental Furniture From: Japan Korea China

Japanese furniture embraces the beauty and simplicity of Classic Japanese design. Solid and utilitarian, its minimal ornamentation and asymmetrical design allow it to fit in with almost any decor.

  • Antique Japanese furniture features clean simple designs, natural wood grains, and the famed Japanese joinery.
  • Traditional "tansu" ('chests' in Japanese) are the well known kaidan tansu ('step chest') mizuya tansu ('kitchen chest') and the sendai tansu ('drawer chest').
  • Cabinets are commonly constructed from solid kiri wood, hinoki and gingko wood, and are usually built in two stackable pieces.
  • Hand-forged iron hardware and minimal ornamentation are common on drawer chests, while kitchen chests feature top and bottom extended beams.

Korean furniture depends on graceful proportions, skillful use of the natural features of wood, and a high level of craftsmanship for its beauty. It offers both highly decorative pieces with meticulously forged hardware, and minimalist pieces, made of solid, durable, woods.

  • Most Korean furniture is a variation on a simple box with only necessary additions.
  • Utilitarian chests such as the Rice Chest and the Grain Chest were found in traditional kitchens and would be built of thick pine wood for durability.
  • Highly ornamental chests like the Headside Chest and the Blanket Chest were used in women's rooms and took on female qualities.
  • Symbolism was prevalent in these pieces - auspicious signs such as turtles, cranes and butterflies were frequently used.
  • Exotic woods such as persimmon and paulownia were used for inlays on more expensive pieces.

Chinese furniture is characterized by the frequent use of lacquer coatings, hand painting, and precise carving. To acheive this unique style artisans must spend countless hours perfecting their craft.

  • Chinese pieces are usually large and heavy with minimal hardware. They are often lacquered or painted and contain some carving or relief.
  • Buffets, Altar tables and Consoles were common and would often hold incense burners and other buddhist relics
  • Chairs were very ornate and came in several classic styles that would be copied with slight variations.
  • Tables were constructed of heavy solid elm with curved and stylized legs. They were built low to the ground, as chairs were not popular and sitting on the floor was the norm.
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